LA Synthesis
Agraphobia Relapse

‘Kiwi Animals’ is a personal catalog of local oddities; affectionately recasting the 1980’s New Zealand Top 40 in a parallel universe of misfit pop, gonzo-tronics & voodoo-waves.Channeling South Pacific gothic sensibilities and edge of world melancholia, the album highlights unexpected electronic tangents from iconic NZ groups Blam Blam Blam & Headless Chickens.It dredges the C-90 revelations of art avante-gardists’ Drone & Kim Blackburn, along with the bittersweet pop of Rupert & Norma O’Malley. There’s the infectious minimal wave of Ballare and a reprised dance suite from Tom Ludvigson & Graeme Gash.The furthest depths of Flying Nun’s catalog are also plundered- a brilliant earworm from Stiff Herbert and a mysterious Roger Knox birthday promo. Mining the various disparate seams of a local indie label awakening, ‘Kiwi Animals’ congeals with future/primitive ingenuity and an underlying Antipodean pop mischievousness…

Guiding weary travellers through an enchanting interdimensional odyssey, WTP’s debut long player ‘Like Lava’ finds a treasured home on Companion. Building on the foundation of four exceptional self-released EPs, WTP continues his exploration into the world of ambient trance. ‘Like Lava’ unfolds across nine tracks that expand and contract through imagined astral landscapes, showcasing WTP’s deft ability to create deep and absorbing techno trips. Hypnotic in manifold ways, ‘Like Lava’ is a release made for getting lost in. Each track referencing the next, this hour-long journey glides through blissful realms of trance, ambient techno and house - deep basslines, muted breaks and spacious subdued percussion are unified by WTP’s characteristic ubiquitous and sparkling atmospheres.This is an expert expression of the Companion ethos. By drawing inspiration from the likes of Robert Leiner, Speedy J and Index ID, WTP wields the language of tripped out 90s electronica to allow spellbound listeners the time to contemplate, space to travel and a place to dream.

Floating Points’ personal collection of global soul, ambient, jazz and folk treasures form the latest in the warmly revered Late Night Tales series.Sam Shepherd aka Floating Points’ music taste is notoriously tricky to define, ranging from ethereal classical at one end to coruscating techno at the other, united only in a firm belief in the transcendental power of music to move hearts, minds and – yes – feet. Similarly, his production career has ranged from early experiments in dance music with breakout records such as the ‘Shadows EP’ and collaborating with legendary Gnawa master Mahmoud Guinia to his expansive album ‘Elaenia’, which met with critical acclaim upon its release in 2015.This Late Night Tales excursion into the depths of the evening reflects his broad tastes. The globally-travelled producer has collected untold treasures on his travels from dusty stores in Brazil to market stalls near his hometown. There’s the gorgeous ‘Via Làctea’, culled from Carlos Walker’s debut album, Abu Talib’s (Bobby Wright) plaintive ‘Blood Of An American’ and Robert Vanderbilt’s gospel reworking of Manchild’s ‘Especially For You’. Raw soul and feeling oozing from each song’s pores.At the other end of the music scale are the modernists, such as Québécoise Kara-Lis Coverdale who weighs in with the indelible ‘Moments In Love’, Kaitlyn Aurelia Smith whose ‘Milk’ is an exercise in tranquility, while Sarah Davachi’s meditative mix-opener offers respite from a weary world.

"Get a first glimpse into the musical mind of Henry Gilles. On their 7th offering Public Possession proudly presents to you another Munich Local: This is the first part of “Collected Works” Henry has gathered over the past three years, with the second soon to come. We are very happy to share these tracks with you as we think Henry is one of the most interesting young producers out there. Whilst this release is musically leaning towards house and disco you can expect a wide range of different styles in the near future, ranging from Hip Hop to Downbeat and further.