Open today: 00:00 - 23:59

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

The F.T.T.
Make It Good

Make It Good

Labels

Rise

Catno

RISE 303

Formats

1x Vinyl 12"

Country

Italy

Release date

Jun 1, 2005

Media: VG+i
Sleeve: G+

$15*

*Taxes included, shipping price excluded

Stickers on sleeve.. If using Paypal WE CAN ONLY SHIP TO YOUR EXISTING Paypal listed address. Please update your Paypal account if you have new address before completing checkout.

A1

Make It Good (Fuzzy Hair Vocal Mix)

7:25

A2

Make It Good (Club Mix)

6:43

B1

Make It Good (Fuzzy Hair Dub Mix)

7:10

B2

Make It Good (Fuzzy Hair Accappella)

1:11

Other items you may like:

New York House and Disco legend Eli Escobar has been releasing music for over 20 years under various aliases as well as running incredible parties and his own label Night People. We’ve been huge fans of his productions over the years and when a chance to release some of his stellar music on our Phonica main label came about, we were over the moon.The “Find A Way EP” kicks off with “FindAWay2Day”, combining heavy hitting 808 drum work with deeply satisfying vocal samples, a beyond groovy bassline and 80s Electro-Funk galore. “Something Inside Of Me” leans towards a classic US Deep Garage House blueprint, with sampled chord stabs, mesmerising vocal hooks and MPC style swung drum programming.
You’ll Never Get To Heaven returns with their fourth release Wave Your Moonlight Hat for the Snowfall Train, a collection of ethereal songs that move through the mercurial weather patterns of minimalism and dream pop.The duo named this album after the closing track on Phil Yost’s 1967 release Bent City, inspired by its prescient use of delay processing in elevating spare beatless arrangements into haunting arrays of sonic afterimages — an approach Hansen and Blazevic explore on this outing in their own way, with a few favoured instruments and a Chorus Echo and Revox in hand. The result is a collection of sparse, lightly dub-infused songs and instrumentals, equally icy and wistful, characterized by melodic fretless basslines, spaced-out harmonics, watery piano and marimba, hushed vocals, and tape echo treatments.Stylistically, it’s almost as if the duo was imagining what an early This Mortal Coil demo might have sounded like had Ivo enlisted in lieu of the usual cast, with a pared back L’Empire Des Sons as the session band, and June Hardin or a young Julee Cruise on lead vocals. The album evokes an overcast autumnal evening of cloud-watching, an inner journey witness to an expansive spectrum of moods, from nimbus clouds to shimmering sun showers.